2: CRITICAL SELECTION FROM ART ANTWERP 2021
- Özkan Eroğlu
- Dec 21, 2021
- 3 min read
CHAPTER 2: I chose 40 studies, and I consider the second 20 as the second part.
The increase in artists and works in the world, as well as the increase in organized events, reduces more work to criticism and critic focus. As an art critic, I have come under the scrutiny of Art Antwerp. I had a vision for print, work an paper, painting, sculpture and photography units. I will also write the criteria that show why things are successful at the bottom of each study. Here are the successful jobs in my opinion:
Untitled, 1999
Ink on rice paper
166 × 95 cm
Intellectual interpretation of a different figure form and concept of "truth". (Özkan Eroğlu)
Tin Lizzie, 2021
Lithograph on Arches Cover white
56.5 × 73.5 cm
Editions 1-50 of 50 + 2AP
Searching for different figurative compositions and researching the higher possibilities of expression. The struggle to remove academic understanding from monotony. (Ö.E.)
untitled (lilac 3), 2020
Ink on paper
29.7 × 21 cm
Simple and plain. Childlike sensitivity. Being in an effort to express oneself. (Ö.E.)
Setting with figure and landscape background 3, 2019
Pencil on paper
102 × 72 cm
A painting of psychoanalytic reflections. Caricature is the presentation of an expressive reality far from illustration. (Ö.E.)
Sister X, 2014
Water colour, charcoal on paper
198 × 114 cm
A proposal for a new interpretation of figurative fragmentation and figurative reconstruction. (Ö.E)
After ’Moses’, 2017
Miniature on Japanese rice paper
53 × 47 cm
A modern examination of the traditional language of miniature art: A new montage-collage application. (Ö.E)
Rr21, 2018
Graphite, acrylic, color pencil on paper
38 × 28 cm
A successful, accurate example of a childlike painting language and ascribed to the artist. (Ö.E.)
Hey Bill, I was just passing by..., 2021
Oil pastel on paper
181 × 112 cm
Abstract Expressionist language's effort to reach a personal state. (Ö.E.)
She won't open her eyes/ Dreams (64), 2021
Pencil on collage
23 × 10 cm
An effort to use the part-whole relationship to reach a new language with a photographic element. (Ö.E.)
une folle tendresse, 2021
Mixed media on paper
73 × 55 cm
To present the data of the effort of abstract research and forming a concept. (Ö.E.)
Snow Landscape (vista), 2021
Black-and-white watercolour on Arches paper in wooden frame
275 × 125.5 × 4.5 cm
Presenting the union of craft and art in a conceptualization process in the direction of telling a new tale. (Ö.E.)
Care, 2020
Dry pastel, colour pencil and mixed media on paper
29.5 × 21.5 cm
Accurate reflection of childlike sensitivity and warmth. A successful example. (Ö.E)
4pm, 2021
Watercolour on paper
30 × 40 cm
It signals a spontaneous and relaxed painting state and a figurative search. (Ö.E.)
Flooded Land, 2021
Charcoal on paper
160 × 117 cm
A quest point in the continuation of the 17th century Flemish landscape painting tradition and a darkist landscape understanding. (Ö.E.)
Icône, 2020
Oil silkscreen printing on wood
37 × 22 × 4 cm
An effort to develop a minimal understanding of elements and a new symbolic language. (Ö.E.)
Number 255D, 2020
Plaster and paint on paper
58.5 × 58.5 × 6 cm
The use of different materials and the search for a new construction language. Just a little bit of a new pop concept. (Ö.E)
Aperture, 2021
Acrylic on cardboard
39 × 27.5 cm
Desire to re-evaluate the subject of objectless detection. The will to turn to the different in abstract perception. (Ö.E)
Burning Street I, 2020
Watercolour on paper
60 × 79.7 cm
An effective watercolor language. The success of bringing this language closer to the photographic one. In short, the correct use of the material and the narrative. (Ö.E)
Care, 2020
Dry pastel on paper
29 × 21 cm
The pinnacle of a childlike sensibility brought by an artist. Very true - an intrinsic expression. (Ö.E.)
"Drawing of old trees on wintry days during 2007-2014", 2007 -2014
Pencil and paint on paper
93.4 × 57.7 cm
It is a sensitivity that every photographer and every artistic understanding with a realistic approach misses especially. (Ö.E)
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